Chord Changes From WAWEDH?

Here’s a patch diagram of how I did the chord changes in my latest patch, What Are We Even Doing Here?….

A quick explanation….

  • The four waves from Swell Physics that control volume of the chords are all fed to four VCAs, as well as an analog comparator (Xaoc Devices Samara II).
  • Samara II compares the signals and outputs the Maximum (AKA, Analog OR) voltage level of all four signals at any given moment.
  • This signal is fed to a window comparator, (Compare 2), which generates a gate every time the Maximum signal goes below 0v.
  • This gate goes to the Clock input on the NOH-Modular Pianist, which changes to the next chord in the sequence.

A Chordal Soundscape With The Pianist, Odessa, Panharmonium, And A Couple Of Tape Delays

I’m not going to go in depth on this patch as there’s a lot of modulation happening and I can’t possibly document it without rambling in circles. I’m also using several techniques I’ve already written about, like using chaos at a clock, running a delay into the Panharmonium, using tape delays, and panning using VCAs.

A couple things of note:

The Echofix EF-X2 tape delays have incredibly good overdrive. The clipping is all analog and is both warm and musical. I would absolutely use the preamp alone to add anything from subtle saturation to thick overdrive. All of the distortion in this track is from the pair of EF-X2 tape echoes.

The Pianist by NOH-Modular is a highly capable chord sequencer. Building progressions is easy and the interface is intuitive. It certainly has faults (that I’ll discuss later in a more comprehensive review), but overall it does an absolutely fantastic job.

Odessa is Odessa and I will make no apologies for it.

This is the first patch during which I’ve used both the go-to AI Synthesis 018 Stereo Matrix Mixer alongside my new mono (voltage controlled) matrix mixer, the Transmon by Atomosynth. I used the latter to mix the Sofia Mix output with the Odessa partials outputs, while panning the Odessa fundamental slowly from left to right (although I can’t really hear the panning in the mix if I’m honest). Having a voltage controlled matrix mixer with individual outs for 12 of the 16 channels, along with 8 channels that can attenuvert makes for a compelling piece of kit. The possibilities are endless.

Modules Used:
NOH-Modular Pianist
Xaoc Devices Odessa (+ Hel)
Xaoc Devices Zadar
Xaoc Devices Lipsk
Xaoc Devices Erfurt
Xaoc Devices Samara II
Xaoc Devices Batumi II (+ Poti II)
Rossum Electro-Music Panharmonium
Holocene Electronics Non-Linear Memory Machine
Atomosynth Transmon
AI Synthesis 018 Stereo Matrix Mixer
Nonlinearcircuits The Hypster
Nonlinearcircuits Divide & Conquer
Nonlinearcircuits Triple Sloth
Auza Wave Packets

Improvised and recorded in 1 take on iPad in AUM via the Expert Sleepers ES-9.


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